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Stages of a relationship (Taylor’s Version)

Taylor Swift is one of the most famous singer-songwriters of the 21st century. Taylor is famous for her widely publicized relationships, and the variety of songs she’s written about them. Her albums showcased the various stages people go through during a relationship, both good and bad. In honor of Valentine’s Day, let’s look at how she uses her song to express these stages.  

  1. Honeymoon Stage 

This is for lovers just meeting for the first time or getting to know each other and falling in love. The songs I would relate most to the era of this relationship are Paper Rings and Fearless  

“Paper Rings” (Lover) is a bubbly, upbeat, and lighthearted song, which is how most people feel when they are just starting in a new relationship. Taylor sings, “I hate accidents except when we went from friends to this,” which signifies that it was a happy accident that their relationship progressed from friends to more. 

“Fearless” (Fearless) is a song about not being scared of falling in love for the first time: “You pull me in, and I’m a little more brave, it’s the first kiss, its really something, it’s fearless.”  Taylor describes the first kiss when you begin to feel that you have fallen for this person you’ve have been wanting for a while. It is the beginning of a relationship.   
 

  1. Discovery stage  

Now, you have exited the honeymoon phase and are looking at your relationship more realistically. You can start to think about how this person got into your life and begin to learn about the person you are with. For this stage, I picked “You Belong with Me” and “Invisible String”. 

“You Belong with Me” (Fearless) is easily one of the most recognizable songs from Taylor Swift. This song signifies when you know a lot about the person, enough to know how they feel in different situations. The line that most relates to this feeling is “I’m the one that makes you laugh when you know you’re bout’ to cry… I think I know where you belong, I think, I know it’s with me.’’  

“Invisible String” (Folklore) is about how two people are connected even if they do not know it, and there is an invisible string that ties them together, and they have been and always will be connected in some way. Taylor sings, “Were there clues I didn’t, see? And isn’t so pretty to think, all along there was some invisible string, tying you to me”  

  1. Challenge stage  

However, no relationship, no matter how perfect it looks, is completely without problems. People make some mistakes to grow as a person; this also must apply to relationships, right? Some people get confused about their relationship status after they disagree with their partner. That is why, for you, I picked “Afterglow” and “Delicate” 

“Afterglow” (Lover) is about how someone apologizing for self-sabotaging in a relationship, making so many mistakes during the relationship, and begging for the person back. Taylor sings, “Tell me that you are still mine, tell me that we’ll just be fine, even when I lose my mind” 

“Delicate” (Reputation) describes a situation when you’re in a relationship, and you just got into an argument, and you do not know where you stand with your partner. Taylor shows this situation with the lyrics: “Is it cool that I just said all that? Is it soon to do this yet? ‘Cause I know that it’s delicate” 

However, most relationships end after this stage and end in heartbreak. ( And that’s perfectly fine!) For all the people who have been heartbroken and want to rage out no matter the situation, I would recommend “Now That We Don’t Talk” and “We Are Never Getting Back Together”  

4. Growth and Stability Stage  

This is the stage of the relationship where you feel secure and safe in your relationship with your partner. You have had time to grow within your relationship and grow personally. For this stage, I suggest “The Archer” and “Long Live.” 

“The Archer” (Lover) is a song about self-growth and learning how to trust yourself. I interpret the line, “I wake in the night, I pace like a ghost. The room is on fire, invisible smoke. And all my heroes die alone. Help me hold onto you” as depicting the fear and anxiety that can come with true commitment. In previous relationships, everyone has left, and Taylor is worried that this could happen again. 

“Long Live” (Speak Now) is a song that is reminiscent of the past and how well it has treated you and your relationship. Taylor sings, “Long live the walls we crashed through, How the kingdom lights shined just for me, and you were screaming, “Long live all the magic we made,” And bring on all the pretenders. One day we will be remembered.” 

  1. Long-term love stage 

This stage can mean long-term commitment or even marriage. You have finally found the right person or even the person you want to spend the rest of your life with. For this stage, I picked one of the most popular wedding songs “Lover” and my personal favorite “Daylight.”  

“Lover” (Lover) is by far the most recognizable wedding song out there (at least for the Swifties), and the lyrics greatly describe the moment when you walk down the aisle and lock eyes with the person you’re about to marry. My favorite line that describes this feeling is “Ladies and gentlemen, will you please stand? With every guitar scar on my hand, I take this magnetic force of a man to be my lover.” 

“Daylight” (Lover) is sort of similar to “Lover.” It also describes the security that comes from a healthy, long-term relationship. The line that gives off this feeling fully is “I once believe love was (black and white) but it’s golden (golden).” 

60 Second Update 02/11/25

60 Seconds, our weekly segment highlighting the latest ABAC News.

“Mouthwashing” shows humans at their worst

“Haunting,” “uncomfortable,” and “disgusting” are three words you wouldn’t expect to describe a game named “Mouthwashing.” Nonetheless, they fit. You will never experience anything like “Mouthwashing,” nor will you forget it. It’s a retro style psychological horror that brutally sinks your expectations and a masterpiece the genre needed for a long time. 

“Mouthwashing” occurs in the future aboard a cargo delivery spaceship named the Tulpar during a more-than-a-year long expedition gone awry. It’s also one of the last humanly-manned deliveries in a technological age. For the Tulpar’s humongous size, it’s ironically carrying a crew of five. 

Jimmy, the protagonist, is the co-captain struggling to maintain cohesion after Captain Curly is horribly disfigured from a hull breach. In his critical condition, Curly receives the most attention from Anya, the vessel’s nurse who is plagued by stress. Meanwhile, the stubborn middle-aged mechanic Swansea keeps operations afloat as his young intern Daisuke stumbles in his footsteps. 

The small cast of characters lets each one shine without clogging the narrative. Their connections and personalities are visible, sometimes even intentionally foggy. 

Daisuke was my favorite character for his naive, gawky, and near-innocent nature (Screenshot by Aileene-Bjork Goodman).

“Mouthwashing” moves all over the timeline, beginning with the most significant event: the Tulpar’s collision with an asteroid, making it unable to fly. 

Afterward, you’ll bounce between events before and after the accident. The point-of-view narrator is mainly Jimmy, but some scenes are shown from Curly’s perspective before he becomes incapacitated. The storytelling method is genius: plot threads develop at random points of their yarns, slowly revealing the bigger picture while simultaneously explaining other chapters. 

Humanity in “Mouthwashing” is present during most of its pre-accidental parts. Everything is clean, functional, and brightly colored with a funky soundtrack in the background.  Everybody’s senses of humor remain intact, and their personal lives are conversation-worthy. You even have a birthday party at one point. Most of the conflicts here are just basic maintenance repairs or crew oversight. 

Your cargo is nothing more than Dragonbreath X mouthwash. (Screenshot by Aileene-Bjork Goodman)

You’ll also learn the origins of the game’s cryptic title early on. The Tulpar’s expedition was purely a mouthwash delivery—crates upon crates of it, too. Why? It doesn’t matter once supplies dwindle, and everyone begins experimenting with it in ways that aren’t definitely listed on the bottle. Besides, when disaster strikes, dental hygiene will be the least of your worries. 

Instead, worry about how terror in “Mouthwashing” comes from rendering you uneasy. You’re about to commit a large quantity of acts that you don’t want to do. That’s uniquely innovative. I was too disturbed that I couldn’t flinch at what few jump-scares there were. 

Numbing Curly’s suffering via painkillers is an exemplary routine task since he’s unable to do it himself. When Jimmy opens his mouth and force feeds him the pills, the screen blackens as Curly audibly struggles and gasps for air, resisting the pills gagging him.  

That can’t compare to other scenes of gruesome survival efforts and bizarre hysteria that populate its post-accidental sections. All of its environment’s cheery blues and yellows get traded for a villainous shade of red, and most of the ship can’t be accessed without breaching the hull again. This claustrophobia and darkness serve as an invitation for paranoia and nightmares to settle in. 

People you thought you knew will slowly devolve before your eyes, and it’s here where their relationships and traits are brought to the forefront.  

There will always be more monsters than men, but what’s the difference? (Screenshot by Aileene-Bjork Goodman).

Swansea found Daisuke’s naivety irritating during a normal ventilation repair. What happens if Daisuke slips up now that everybody’s on a deserted spacecraft? Anya was already stressed financially, but how will she remain composed with her life in jeopardy? Through the chaos, Jimmy has to step up to the plate since all Curly can do is watch. 

“Mouthwashing” reminds us that hell is, indeed, other people. The game doesn’t need monsters to be frightening when there’s already humans aboard. All it takes is one push for our biggest allies to become our biggest threats. 

These characters are under your leadership whether you’re playing Jimmy or Curly. Therefore, what does it mean to take responsibility? Does that mean you should be able to admit any wrongs? Should you be punished for everyone’s mistakes? More importantly, should you punish yourself for yours? Equivocation won’t resolve problems; it only delays judgment.  

Holding the game back from perfection are a few puzzles. Some solutions are in obscure places, but they’re really picky about how close you should be to someone or something to interact. 

Otherwise, you absolutely must play “Mouthwashing” at least once. Nothing in recent memory has been this abrasive or uncomfortable as this tale of an intergalactic downward spiral. That’s the point: “Mouthwashing” is supposed to leave a bad taste in your mouth after the credits roll, so much so that you can’t simply rinse it out. The game does not only teach valuable lessons, but it also makes for an unforgettable experience. 

RATING:

Rating: 4.5 out of 5.

60 Second Update 02/04/25

This week on the 60 Second Update,

  • Shot fired at the Valdosta Mall,
  • Beast Feast tickets are on sale now,
  • Pegasus is now accepting submissions,
  • Trade war over tariffs?

Tifton Protesters Rally for Immigration Reform

Protestors with signs and flags held high. Photo by Robert Caldwell Sr.

Peaceful Protestors gathered in Tifton to bring awareness to immigration policies in the U.S. 

Watch the video for live footage of the protest with Hunter Holton on the scene.